About Jason Vieaux

Grammy-winner Jason Vieaux, “among the elite of today’s classical guitarists” (Gramophone), is described by NPR as “perhaps the most precise and soulful classical guitarist of his generation”. 

Jason’s multiple appearances for San Francisco Performances, Caramoor Festival, Ravinia Festival, PCMS, 92nd Street Y, Domaine-Forget, and many others, have helped to cement his reputation as one of the world’s leading guitarists. Other overseas performance venues include Amsterdam’s Concertgebouw, Seoul Arts Center, Shanghai Concert Hall, Sala Sao Paolo, and Teatro Colon in Buenos Aires. Jason Vieaux has performed as soloist with over 100 orchestras, including Cleveland, Toronto, Houston, Nashville, and Orchestra of St. Luke’s, working with renowned conductors such as Giancarlo Guererro, Jahja Ling, Gerard Schwarz, and Michael Stern. 

Vieaux has a strong presence on radio and streaming services. In 2022, his long-awaited “Bach Volume 2: Works for Violin” was released in April on Azica Records to critical acclaim. “Shining Night” a CD from Avie Records featuring his duo with violinist Anne Akiko Meyers, was released in May.  His Sony Classical recording of Michael Fine’s “Concierto del Luna” for flute and guitar (with flutist Alexa Still) is yet another Spring release. Vieaux recently recorded Pat Metheny’s “Four Paths of Light”, a solo work dedicated to him by Pat for Metheny’s 2021 album “Road To The Sun”.

Jason’s passion for new music has also fostered premieres from Jeff Beal, Avner Dorman, Vivian Fung, Pierre Jalbert, Jonathan Leshnoff, David Ludwig, Mark Mancina, Dan Visconti, and many more. Of his Grammy-winning 2014 solo album Play, The Huffington Post declared that Play is “part of the revitalized interest in the classical guitar.” 

Vieaux’s multiple appearances over the years with...

Quotes

virtuosic, flamboyant, dashing and, sometimes ineffably lyrical.The New York Times
perhaps the most precise and soulful classical guitarist of his generation.NPR
[a] spirited and expressive guitaristThe New Yorker
Vieaux ... makes everything look and sound easy. An uncommonly relaxed figure onstage, he seems immersed entirely in the moment. Every note comes out fully formed, but nothing he does feels premeditated, and the music, just a little understated, speaks eloquently for itself.Washington Post
This terrific guitarist, a Philadelphia favorite, worked wonders with Rodrigo's Concierto de Aranjuez... he played with elegance and fine-tuned precision… a marvel.The Philadelphia Inquirer
masterful ease, and great panache.San Francisco Classical Voice
Vieaux’s new recording Play is not only like pop iTunes, it is part of the revitalized interest in the classical guitar.The Huffington Post
Vieaux [was] nimble-fingered in a Vivaldi Concerto that was remarkable for its variety of colors.Boston Globe
The writing for the solo instrument was fantastic— lyrical, virtuosic, tender, and passionate all at once. Vieaux proved to be an ideal soloist. [Leshnoff Concerto, Nashville Symphony]American Record Guide
Vieaux excelled in its flamenco-style flourishes, ethereal high notes and spiraling passage work. [Villa-Lobos Concerto, San Diego Symphony]San Diego Union Tribune
Vieaux showed why he is among the most talented guitarists of his generation, a player whose effortless technique and fluidity gave the concerto a singing voice.Tampa Tribune
...one of America's premier guitarists... Vieaux's performance spun magic. Rarely has a single instrument so clearly painted such cinematic vistas and searching introspectionFort-Worth Star-Telegram
Vieaux was first-class. One movement of Ponce’s Concierto del sur made me want to hear more of his work, such was the range of sounds he drew from his instrument.New Zealand Herald
…among the elite of today’s classical guitarists.Gramophone